Opening Hours

12 - 5pm, Early 2026 (exact dates tbc)
Thurs to Sat (closed Sun to Weds)
at VSSL Studio  

About BLACK QUATUM FUTURISM

Black Quantum Futurism (BQF) is an interdisciplinary creative practice between Camae Ayewa and Rasheedah Phillips  that weaves quantum physics and Afrodiasporan concepts of time, ritual, text, and sound, creating counterhistories and Black quantum futures that challenge exclusionary, mainstream versions of time. Black Quantum Futurism has created a number of community-based projects, performances, experimental music projects, installations, workshops, books, short films, zines, including the Community Futures Lab, Black Woman Temporal Portal, and the Black Time Belt. BQF Collective has been awarded a 2022 Creative Capital Fellowship, 2020 Arts at CERN Artist Residents, 2020-2022 Vera List Center Fellow, 2021 Knight Art + Tech Fellows, 2017 Center for Emerging Visual Artists Fellow, and 2017 Pew Fellow. BQF has presented, exhibited, and performed at documenta fifteen, Copenhagen Contemporary. Counterpublic, REDCAT, Chicago Architecture Biennial, Monument Lab x Village of Art and Humanities, Manifesta 13, ICA London, Shanghai Art Biennale, and many more.

www.blackquantumfuturism.com

About Rasheedah Phillips

Rasheedah Phillips is a queer housing advocate, parent, writer, interdisciplinary artist, and cultural producer who uses web-based projects,zines, short film, archival practices, experimental non-fiction, speculative fiction, printmaking, performance, social practice, installation and creative research to explore the construct of time, temporalities, and community futurisms through a Black futurist cultural lens and experience. As the Director of Housing, Rasheedah  leads PolicyLink’s national advocacy to support the growing tenants’ rights, housing, and land use movements in partnership with grassroots partners, movement leaders, industry, and government leaders.

Previously serving as Managing Attorney of Housing Policy at Community Legal Services of Philadelphia, Rasheedah has led various housing policy campaigns that resulted in significant legislative changes, including a right to counsel for tenants in Philadelphia, and the Renter’s Access Act, one of the strongest laws in the nation to address blanket ban eviction polices having a disparate impact on renters of color. Their writing and artwork has appeared in The Funambulist Magazine, e-flux Architecture, Flash Art Magazine, Philadelphia Inquirer, Recess Arts, and more. Phillips is the founder of The AfroFuturist Affair, founding member of Metropolarity Queer Speculative Fiction Collective, co-founder of Black Quantum Futurism, co-creator of the award winning Community Futures Lab, and creator of the Time Zone Protocols, Black Women Temporal Portal, and Black Time Belt projects. Phillips is the author of the book Dismantling the Master’s Clock: On Race, Space, and Time out on AK Press.

www.rasheedah.net

About Camae Ayewa

Camae Ayewa (Moor Mother) is a national and international touring musician, poet, visual artist, and professor, and has performed at numerous festivals, colleges, galleries, and museums around the world, sharing the stage with King Britt, Roscoe Mitchell, Claudia Rankine, Bell Hooks, and more. Camae is a vocalist in three collaborative performance groups: Irreversible Entanglements, MoorJewelry and 700Bliss. 

www.moormother.net.

Credits

BLACK QUANTUM FUTURISM as part of ENTANGLEMENTS OF THE APOCALYPSE is co-curated by Mine Kaplangı, Benjamin Sebastian, Joseph Morgan Schofield and Ash McNaughton. The programme is made possible with public funding from the National Lottery and Arts Council England.